So, I finally made it to a big comic convention. I went only for the day (Saturday) and stayed for about 4 hours.
As soon as I entered the convention center, I immediately got in line for Frank Cho (another local boy done good). The line was long, but in the end it was worth it. Though he refused to do a sketch of any female character (namely Brandy), he did provide me with a sketch of one of his animal characters. He was also selling a limited number of sketch books (of which, I bought two). Though I don’t buy Frank’s comics, I’ve always liked him for the fact that he is a high-profile local talent. Plus, when he first started out publishing his comic strip University2 in the Maryland student newspaper, I would always receive a copy at the office of the student newspaper I worked for in college (Broadside, GMU’s paper—of which I was the photo editor).
Afterwards, I took two steps to the left and got into the massive line for Jim Lee. My feet were already feeling tired from waiting in line for Frank, so after waiting for another hour in line for Jim, I was understandably disappointed when I finally got to him. I presented my sketchbook and asked for a simple sketch and autograph. He told me he didn’t do sketches and simply signed the bottom of the page. I didn’t bring any comics to have signed (all I wanted was sketches), so that’s all I got from Jim. (By the way, I understand not doing sketches for the sake of time constraints and long lines. I just wish they would go down the line and tell us these things.)
I stopped by Adam Hughes’ table and picked up a couple of sketchbooks. He was booked, as far as original sketches go, but he was very friendly and accommodating with signing the sketchbooks.
I picked up a sketchbook from Chad Spilker, then talked to a local artist named Sunny Lee. As he drew me a quick sketch, we talked about the business aspects of being an artist—how much for commission work, page rate, etc. He basically said his rate was a little over $100 per page. I figure it’d be over $2,000 to get him to pencil an entire comic. I think I need to find someone who hasn’t been published by a major comic company (i.e., $50 page rate) to illustrate some of my stories.
That’s basically the reason I came to the Baltimore Comic Con—to observe what happens at a convention and prepare for promoting my own work next year at the big cons.
As for comics (oh yeah, this was a comic convention), I found a few gems at the many tables…
30 Days of Night #3 - $18
Dark Days #1 variant - signed by Steve & Ben w/ sketch; $20
Thundercats #0 (x2) - signed by J. Scott Campbell; $5 each
Danger Girl #1 euro variant - signed by Campbell, Hartnell, Garner; $10
I wanted the J. Scott Campbell sketchbook, but I thought $500 was just a little too much to pay.
Anyway, I thought the trip to Baltimore was worth it. It was fairly entertaining. It’s too bad about the wasted time waiting in line for Jim Lee, but one learns from past mistakes. I actually wish I could go tomorrow for the Art 101 and Writing 101 lectures by some big name creators. I really wanted to meet Mark Waid, but I think he’s only appearing at the lecture.
Next summer, I hope to be at these conventions as a self-publisher and not just a consumer. …We’ll see.
