I tried to give them a chance. Heaven knows I’ve spent a lifetime devoted to independent publishing, holding strong to the fundamentalist indie attitude. I admire those who have the initiative and willpower to make something happen all by themselves. It’s the ideal achievement. To create something on your own. With no help. Just me.
Maybe I’m not looking in the right place. I went to the comic shop last Friday (my first visit to such a place in years), in search of some good, independent comics. I wanted to discover local talent that I could get to know and possibly collaborate with.
I asked the cute girl behind the counter if she had any recommendations. I think I wanted her to be right so much, that I didn’t actually stop to think critically about her picks.
My previous indie comic experience included a comic called Blue Monday, which I picked up because one of my friends was into it. It was somewhat amusing, but ultimately I found the constant Brit pop music references exasperating.
The first pick from the girl at the comic shop was Love the Way You Love, a simply-drawn story of a lead singer, who falls in love with some girl he sees at one of his shows. The story is basically the story of the movie Titanic, where a girl who is engaged to one man falls in love with another man. Somewhat despicable. I didn’t like any of the characters, and hated the constant references to indie bands and songs.
The second pick was a more “intellectual” story about musical mysticism…or something…called Phonogram: Rue Britannia. It was an interesting take on music as a form of magic. But ultimately, it drowns in faux intellectual nonsense – it’s hard to take seriously. And, my goodness, more Brit pop references! How do I get away from this indie music crap? I will say this… I read one chapter today, which used an Echobelly song as its theme. It just so happens that I was listening to Echobelly on a whim today in the car. Weird.
I bought one other indie trade while I was at the comic store. It’s called Dead@17. Not sure what it’s about, but I like the art. I solemnly hope it has nothing to do with music.
So what’s with indie comics? Even the stuff by Jim Mahfood (whose art I love) is highly influenced by urban music, which seeps into every panel of his comics. Why is every indie comic about music, emo love, and school? It’s like they’re all created by high school drop-outs. …er. Maybe that’s it. The majority of indie comic creators probably are high school grads, who don’t know anything beyond high school life and minimum wage jobs. That’s not a slight on indie comic creators. Just an observation. Maybe there aren’t indie comics about corporate life, raising families, and growing old, because there’s a severe lack of creators with that knowledge. A potential niche market?
Of all the indie comics I’ve read, my favorites are the ones created by local talent. Something about it being local makes it more worthy to me. One of my ex-coworkers named Andy created his own comic, and I loved it. Not only because his art is great, and his sense of humor is hilarious. But because I knew him personally, and he was based in northern Virginia. I love seeing great independent art coming from my hometown.
That’s why I’m so excited about finally making it out to the Small Press Expo in October, as well as the Baltimore Comic-Con in September. My goal for going to these events is to meet and network with local comic talent. I’ve always wanted to produce an indie comic, but never had drawing skills. Maybe if I collaborated with an artist and brought my writing and/or marketing skills to the table, we could make something happen.
Of all the potential projects I have in mind, this is the one I’m most excited about. Creating an indie comic book would be a dream come true.